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The Three Burials of Melquiades Estrada

The Three Burials of Melquiades Estrada

Adventure · Crime · Drama · 2005

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.

Movie details

The Three Burials of Melquiades Estrada

“Nobody is beyond redemption.”

2005 Adventure · Crime · Drama 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Three Burials of Melquiades Estrada?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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No Country for Old Men

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Names above the title

The people responsible.

Directed by

Tommy Lee Jones

Written by

Guillermo Arriaga

Tommy Lee Jones

Tommy Lee Jones

Pete Perkins

Barry Pepper

Barry Pepper

Mike Norton

Dwight Yoakam

Dwight Yoakam

Sheriff Frank Belmont

January Jones

January Jones

Lou Ann Norton

Melissa Leo

Melissa Leo

Rachel

Julio Cesar Cedillo

Julio Cesar Cedillo

Melquiades Estrada

Levon Helm

Levon Helm

Old Man with Radio

Court is in session

Put The Three Burials of Melquiades Estrada on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.