“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Carpoolers
Comedy · 2021
Four travellers meet in Madrid’s city centre through a rideshare app. Four individuals who could never imagine the journey they are about to embark on, as they gradually exchange secrets, emotions and mistrust, eventually arriving at a very different destination to the one they had planned. Along the way, they will learn a lot about who they are travelling with... and about themselves.
Carpoolers
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
Four travellers meet in Madrid’s city centre through a rideshare app. Four individuals who could never imagine the journey they are about to embark on, as they gradually exchange secrets, emotions and mistrust, eventually arriving at a very different destination to the one they had planned. Along the way, they will learn a lot about who they are travelling with... and about themselves.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Carpoolers?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Hugo Martín Cuervo
Written by
Hugo Martín Cuervo
Put Carpoolers on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.




