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The Front Line

The Front Line

Drama · Action · War · 2011

In 1951 ceasefire is declared, but two remaining armies fought their final battle on the front line Towards the end of the Korean War, a South Korean battalion is fiercely battling over a hill on the front line border against the North in order to capture a strategic point that would determine the new border between two nations. The ownership of this small patch of land would swap multiple times each day. Kang is dispatched to the front line in order to investigate the tacit case that’s been happening there.

Movie details

The Front Line

“Last battle of the Korean War.”

2011 Drama · Action · War 2h 13m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In 1951 ceasefire is declared, but two remaining armies fought their final battle on the front line Towards the end of the Korean War, a South Korean battalion is fiercely battling over a hill on the front line border against the North in order to capture a strategic point that would determine the new border between two nations. The ownership of this small patch of land would swap multiple times each day. Kang is dispatched to the front line in order to investigate the tacit case that’s been happening there.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Front Line?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jang Hoon

Written by

Sang-yeon Park

Shin Ha-kyun

Shin Ha-kyun

Kang Eun-pyo

Go Soo

Go Soo

Kim Soo-hyeok

Lee Je-hoon

Lee Je-hoon

Shin Il-young

Ryu Seung-su

Ryu Seung-su

Oh Gi-yeong

Ko Chang-seok

Ko Chang-seok

Yang Hyo-sam

David Lee

David Lee

Nam Seong-sik

Ryu Seung-ryong

Ryu Seung-ryong

Hyeon Jeong-yoon

Court is in session

Put The Front Line on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.