“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

One Piece 3D: Straw Hat Chase
Animation · Adventure · 2011
One Piece 3D: Straw Hat Chase is the 11th One Piece film of the series, and is set before the time-skip. This is One Piece's first movie release to be in 3D CGI. The movie is also the first One Piece film since Movie 3 to be a double-feature. This time, the film was featured with "Toriko 3D: Gourmet Adventure", both being billed as the "Jump Heroes Film". The double-feature was released on March 19, 2011.
One Piece 3D: Straw Hat Chase
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
One Piece 3D: Straw Hat Chase is the 11th One Piece film of the series, and is set before the time-skip. This is One Piece's first movie release to be in 3D CGI. The movie is also the first One Piece film since Movie 3 to be a double-feature. This time, the film was featured with "Toriko 3D: Gourmet Adventure", both being billed as the "Jump Heroes Film". The double-feature was released on March 19, 2011.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over One Piece 3D: Straw Hat Chase?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Hiroyuki Satou
Written by
Isao Murayama · Yasuyuki Tsutsumi
Put One Piece 3D: Straw Hat Chase on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






