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Gattaca

Gattaca

Science Fiction · Drama · 1997

Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.

Movie details

Gattaca

“There is no gene for the human spirit.”

1997 Science Fiction · Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gattaca?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Andrew Niccol

Written by

Andrew Niccol

Ethan Hawke

Ethan Hawke

Vincent Freeman

Uma Thurman

Uma Thurman

Irene Cassini

Jude Law

Jude Law

Jerome Eugene Morrow

Alan Arkin

Alan Arkin

Detective Hugo

Loren Dean

Loren Dean

Adult Anton Freeman

Gore Vidal

Gore Vidal

Director Josef

Tony Shalhoub

Tony Shalhoub

"German"

Court is in session

Put Gattaca on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.