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Your Friends & Neighbors

Your Friends & Neighbors

Drama · Comedy · 1998

Restless and unhappy, two couples get caught up in infidelity and deception. Barry is a sullen businessman married to Mary, a writer who is unsatisfied with their relationship. Mary begins an affair with Jerry, a smug theater professor and husband of her friend, Terri, who is also a writer. Adding to the adulterous mix are Cary, a callous doctor, and Cheri, an art-gallery assistant.

Movie details

Your Friends & Neighbors

“A modern immorality tale.”

1998 Drama · Comedy 1h 47m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Restless and unhappy, two couples get caught up in infidelity and deception. Barry is a sullen businessman married to Mary, a writer who is unsatisfied with their relationship. Mary begins an affair with Jerry, a smug theater professor and husband of her friend, Terri, who is also a writer. Adding to the adulterous mix are Cary, a callous doctor, and Cheri, an art-gallery assistant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Your Friends & Neighbors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Neil LaBute

Written by

Neil LaBute

Amy Brenneman

Amy Brenneman

Mary

Aaron Eckhart

Aaron Eckhart

Barry

Ben Stiller

Ben Stiller

Jerry

Nastassja Kinski

Nastassja Kinski

Cheri

Jason Patric

Jason Patric

Cary

Catherine Keener

Catherine Keener

Terri

Lola Glaudini

Lola Glaudini

Jerry's Student (uncredited)

Court is in session

Put Your Friends & Neighbors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.