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That's Entertainment! III

That's Entertainment! III

Documentary · Music · 1994

Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

Movie details

That's Entertainment! III

1994 Documentary · Music 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over That's Entertainment! III?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

That's Entertainment, Part II

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Names above the title

The people responsible.

Directed by

Michael J. Sheridan · Bud Friedgen

Written by

Bud Friedgen · Michael J. Sheridan

June Allyson

June Allyson

Self - Co-Host / Narrator

Cyd Charisse

Cyd Charisse

Self - Co-Host / Narrator

Lena Horne

Lena Horne

Self - Co-Host / Narrator

Howard Keel

Howard Keel

Self - Co-Host / Narrator

Esther Williams

Esther Williams

Self - Co-Host / Narrator

Gene Kelly

Gene Kelly

Self - Co-Host / Narrator

Ann Miller

Ann Miller

Self - Co-Host / Narrator

Court is in session

Put That's Entertainment! III on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.