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The Wing or the Thigh?

The Wing or the Thigh?

Comedy · 1976

Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!

Movie details

The Wing or the Thigh?

1976 Comedy 1h 44m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wing or the Thigh??

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Zidi

Written by

Michel Fabre · Claude Zidi

Louis de Funès

Louis de Funès

Charles Duchemin

Coluche

Coluche

Gérard Duchemin

Ann Zacharias

Ann Zacharias

Marguerite

Julien Guiomar

Julien Guiomar

Jacques Tricatel

Raymond Bussières

Raymond Bussières

Henri

Philippe Bouvard

Philippe Bouvard

Philippe Bouvard

Daniel Langlet

Daniel Langlet

Lambert

Court is in session

Put The Wing or the Thigh? on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.