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My First Summer

My First Summer

Drama · Romance · 2020

Isolated on a remote property, 16-year-old Claudia finds her world transformed when a spirited girl named Grace wanders into her garden.

Movie details

My First Summer

“First Love, first breath”

2020 Drama · Romance 1h 18m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

Isolated on a remote property, 16-year-old Claudia finds her world transformed when a spirited girl named Grace wanders into her garden.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My First Summer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Little Fish

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Die My Love

Die My Love

Drama · 2025

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Where it lives

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Names above the title

The people responsible.

Directed by

Katie Found

Written by

Katie Found

Markella Kavenagh

Markella Kavenagh

Claudia

Maiah Stewardson

Maiah Stewardson

Grace

Edwina Wren

Edwina Wren

Veronica

Harvey Zielinski

Harvey Zielinski

Detective Jones

Steve Mouzakis

Steve Mouzakis

Detective Croydon

Arthur Angel

Arthur Angel

Mike

Katherine Tonkin

Katherine Tonkin

Donna

Court is in session

Put My First Summer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.