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A Cinderella Story: Once Upon a Song

A Cinderella Story: Once Upon a Song

Comedy · Family · Romance · 2011

In this modern telling of the classic tale, aspiring singer Katie Gibbs falls for the new boy at her performing arts high school. But Katie's wicked stepmother and stepsister are scheming to crush her dream before she can sing her way into his heart.

Movie details

A Cinderella Story: Once Upon a Song

“Can the girl with a dream voice sing happily ever after?”

2011 Comedy · Family · Romance 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In this modern telling of the classic tale, aspiring singer Katie Gibbs falls for the new boy at her performing arts high school. But Katie's wicked stepmother and stepsister are scheming to crush her dream before she can sing her way into his heart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Cinderella Story: Once Upon a Song?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Damon Santostefano

Written by

Jessica Scott · Erik Patterson

Lucy Hale

Lucy Hale

Katie Gibbs

Freddie Stroma

Freddie Stroma

Luke Morgan

Missi Pyle

Missi Pyle

Gail Van Ravensway

Megan Park

Megan Park

Bev Van Ravensway

Matt Lintz

Matt Lintz

Victor Van Ravensway

Jessalyn Wanlim

Jessalyn Wanlim

Angela

Titus Makin Jr.

Titus Makin Jr.

Mickey O'Malley

Court is in session

Put A Cinderella Story: Once Upon a Song on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.