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Juno

Juno

Comedy · Drama · Romance · 2007

Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.

Movie details

Juno

“A comedy about growing up… and the bumps along the way.”

2007 Comedy · Drama · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Juno?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Departure

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Drama · 2016

An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jason Reitman

Written by

Diablo Cody

Elliot Page

Elliot Page

Juno MacGuff

Michael Cera

Michael Cera

Paulie Bleeker

Jennifer Garner

Jennifer Garner

Vanessa Loring

Jason Bateman

Jason Bateman

Mark Loring

J.K. Simmons

J.K. Simmons

Mac MacGuff

Allison Janney

Allison Janney

Bren MacGuff

Olivia Thirlby

Olivia Thirlby

Leah

Court is in session

Put Juno on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.