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Confess, Fletch

Confess, Fletch

Comedy · Mystery · Crime · 2022

The roguishly charming and endlessly troublesome Fletch becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.

Movie details

Confess, Fletch

“A dead body. A stolen Picasso. And this guy.”

2022 Comedy · Mystery · Crime 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The roguishly charming and endlessly troublesome Fletch becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Confess, Fletch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Greg Mottola

Written by

Greg Mottola · Zev Borow

Jon Hamm

Jon Hamm

Fletch

Roy Wood Jr.

Roy Wood Jr.

Inspector Morris Monroe

Annie Mumolo

Annie Mumolo

Eve

Ayden Mayeri

Ayden Mayeri

Griz

Lorenza Izzo

Lorenza Izzo

Angela de Grassi

John Slattery

John Slattery

Frank Jaffe

Kyle MacLachlan

Kyle MacLachlan

Ronald Horan

Court is in session

Put Confess, Fletch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.