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The Seventh Target

The Seventh Target

Thriller · Drama · Romance · 1984

Bastien Grimaldy, a man driven to heightened anxiety as the plot against him begins to take effect. Bastien's personal relationships give him enough cause for anxiety -- between his new lover Laura and a feisty mother, life provides its own insecurities. When he goes to the police with his problems, Bastien is assigned an off-beat inspector to protect him but is still faced with skepticism about his dilemma.

Movie details

The Seventh Target

1984 Thriller · Drama · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Bastien Grimaldy, a man driven to heightened anxiety as the plot against him begins to take effect. Bastien's personal relationships give him enough cause for anxiety -- between his new lover Laura and a feisty mother, life provides its own insecurities. When he goes to the police with his problems, Bastien is assigned an off-beat inspector to protect him but is still faced with skepticism about his dilemma.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Seventh Target?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Pinoteau

Written by

Jean-Loup Dabadie

Lino Ventura

Lino Ventura

Bastien Grimaldi

Lea Massari

Lea Massari

Nelly

Jean Poiret

Jean Poiret

Jean Michelis

Jean-Pierre Bacri

Jean-Pierre Bacri

L'inspecteur Daniel Esperanza

Roger Planchon

Roger Planchon

Le commissaire Paillard

Élisabeth Bourgine

Élisabeth Bourgine

Laura

Béatrice Agenin

Béatrice Agenin

Catherine

Court is in session

Put The Seventh Target on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.