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Asylum: Twisted Horror and Fantasy Tales

Asylum: Twisted Horror and Fantasy Tales

Comedy · Horror · Science Fiction · 2020

Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.

Movie details

Asylum: Twisted Horror and Fantasy Tales

“Madness has no limits”

2020 Comedy · Horror · Science Fiction 1h 45m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Asylum: Twisted Horror and Fantasy Tales?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Carlos Goitia · Damien LeVeck · Vincent Paronnaud

Written by

Guillermo Lockhart · Mauro Croche

R

Raymond E. Lee

Brandon

Ariadna Asturzzi

Ariadna Asturzzi

Philippa

Sam Jaeger

Sam Jaeger

Father Lance

Heather Morris

Heather Morris

Heather

N

Neil Grays

Drew

Jessica Mann

Jessica Mann

Mia

Cheetah Platt

Cheetah Platt

Drudge

Court is in session

Put Asylum: Twisted Horror and Fantasy Tales on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.