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The Shining

The Shining

Horror · Thriller · 1980

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

Movie details

The Shining

“A masterpiece of modern horror.”

1980 Horror · Thriller 2h 24m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Shining?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Burnt Offerings

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The Possession

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Names above the title

The people responsible.

Directed by

Stanley Kubrick

Written by

Diane Johnson · Stanley Kubrick

Jack Nicholson

Jack Nicholson

Jack Torrance

Shelley Duvall

Shelley Duvall

Wendy Torrance

Danny Lloyd

Danny Lloyd

Danny

Scatman Crothers

Scatman Crothers

Hallorann

Barry Nelson

Barry Nelson

Ullman

Philip Stone

Philip Stone

Grady

Joe Turkel

Joe Turkel

Lloyd

Court is in session

Put The Shining on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.