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Blacker Than the Night

Blacker Than the Night

Horror · Mystery · Thriller · 1975

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

Movie details

Blacker Than the Night

“Scary! Four beautiful women live between terror and agony.”

1975 Horror · Mystery · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blacker Than the Night?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A family moves into a large old mansion in the countryside which seems to have a mysterious and sinister power over its new residents.

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An immigrant in search of the American dream is forced to take a room in a boarding house and soon finds herself in a nightmare from which she can't escape.

Where it lives

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Names above the title

The people responsible.

Directed by

Carlos Enrique Taboada

Written by

Carlos Enrique Taboada

Claudia Islas

Claudia Islas

Ofelia

Lucía Méndez

Lucía Méndez

Marta

Helena Rojo

Helena Rojo

Pilar

Susana Dosamantes

Susana Dosamantes

Aurora

Alicia Palacios

Alicia Palacios

Sofia

Pedro Armendáriz Jr.

Pedro Armendáriz Jr.

Roberto

Julián Pastor

Julián Pastor

Pedro

Court is in session

Put Blacker Than the Night on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.