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Anuvahood

Anuvahood

Comedy · 2011

Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a respected gangster... or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless "shotter", who finds his true worth in the face of urban adversity.

Movie details

Anuvahood

“There's a wasteman on every street!”

2011 Comedy 1h 28m

Critical arithmetic

The consensus, allegedly.

IMDb

5.4 / 10

5.4K votes

Rotten Tomatoes

15 %

Tomatometer

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a respected gangster... or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless "shotter", who finds his true worth in the face of urban adversity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Anuvahood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Adam Deacon · Daniel Toland

Written by

Adam Deacon · Michael Vu

Adam Deacon

Adam Deacon

Kenneth

O

Ollie Barbieri

Enrique

J

Jazzie Zonzolo

T.J.

Michael Vu

Michael Vu

Lesoi

Richie Campbell

Richie Campbell

Tyrone

Jaime Winstone

Jaime Winstone

Yasmin

Paul Kaye

Paul Kaye

Tony

Court is in session

Put Anuvahood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.