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The Descendants

The Descendants

Comedy · Drama · 2011

With his wife Elizabeth on life support after a boating accident, Hawaiian land baron Matt King takes his daughters on a trip from Oahu to Kauai to confront a young real estate broker, who was having an affair with Elizabeth before her misfortune.

Movie details

The Descendants

“The South Pacific ain't that terrific.”

2011 Comedy · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

With his wife Elizabeth on life support after a boating accident, Hawaiian land baron Matt King takes his daughters on a trip from Oahu to Kauai to confront a young real estate broker, who was having an affair with Elizabeth before her misfortune.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Descendants?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Madea's Destination Wedding

Madea's Destination Wedding

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Carbon Copy

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Comedy · 1981

A middle-aged married wealthy white corporate executive is surprised to discover that he has a working-class black teen-age son who wants to be adopted into the almost-exclusively-white upper-middle-class community of San Marino, California.

Cast Away

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Homeless to Harvard: The Liz Murray Story

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Light of My Life

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Names above the title

The people responsible.

Directed by

Alexander Payne

Written by

Alexander Payne · Nat Faxon · Jim Rash

George Clooney

George Clooney

Matt King

Shailene Woodley

Shailene Woodley

Alexandra King

Amara Miller

Amara Miller

Scottie King

Nick Krause

Nick Krause

Sid

Patricia Hastie

Patricia Hastie

Elizabeth King

G

Grace A. Cruz

Scottie's Teacher

K

Kim Gennaula

School Counselor

Court is in session

Put The Descendants on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.