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Guarding Tess

Guarding Tess

Comedy · Drama · 1994

Doug is a Secret Service Agent who has just completed his stint in charge protecting Tess Carlisle—the widow of a former U.S. President, and a close personal friend of the current President. He finds that she has requested that he not be rotated but instead return to be her permanent detail. Doug is crushed, and—after returning—wants off her detail as she is very difficult to guard and makes her detail crazy with her whims and demands.

Movie details

Guarding Tess

“A comedy beyond the call of duty.”

1994 Comedy · Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Doug is a Secret Service Agent who has just completed his stint in charge protecting Tess Carlisle—the widow of a former U.S. President, and a close personal friend of the current President. He finds that she has requested that he not be rotated but instead return to be her permanent detail. Doug is crushed, and—after returning—wants off her detail as she is very difficult to guard and makes her detail crazy with her whims and demands.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Guarding Tess?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hugh Wilson

Written by

Hugh Wilson · PJ Torokvei

Shirley MacLaine

Shirley MacLaine

Tess Carlisle

Nicolas Cage

Nicolas Cage

Doug Chesnic

Austin Pendleton

Austin Pendleton

Earl

Edward Albert

Edward Albert

Barry Carlisle

James Rebhorn

James Rebhorn

Howard Shaeffer

Richard Griffiths

Richard Griffiths

Frederick

John Roselius

John Roselius

Tom Bahlor

Court is in session

Put Guarding Tess on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.