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Mauvais Sang

Mauvais Sang

Drama · Romance · Crime · 1986

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

Movie details

Mauvais Sang

“Love that burns fast but lasts forever.”

1986 Drama · Romance · Crime 1h 59m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mauvais Sang?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Leos Carax

Written by

Leos Carax

Juliette Binoche

Juliette Binoche

Anna

Denis Lavant

Denis Lavant

Alex

Michel Piccoli

Michel Piccoli

Marc

Hans Meyer

Hans Meyer

Hans

Julie Delpy

Julie Delpy

Lise

C

Carroll Brooks

The American

Hugo Pratt

Hugo Pratt

Boris

Court is in session

Put Mauvais Sang on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.