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AC/DC: Live at River Plate

AC/DC: Live at River Plate

Music · 2009

A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”

Movie details

AC/DC: Live at River Plate

“Estadio River Plate in Buenos Aires, Argentina on December 2009”

2009 Music 1h 50m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over AC/DC: Live at River Plate?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Mallet

Angus Young

Angus Young

Guitars

Malcolm Young

Malcolm Young

Guitars

Brian Johnson

Brian Johnson

Vocals

Cliff Williams

Cliff Williams

Bass

Phil Rudd

Phil Rudd

Drums

Court is in session

Put AC/DC: Live at River Plate on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.