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Same Time, Next Christmas

Same Time, Next Christmas

Romance · TV Movie · 2019

Olivia Anderson is a successful young woman who met her childhood sweetheart during her family’s annual Christmas visit to Hawaii. After being separated by distance and years, the two reunite at the same Hawaiian resort years later, and the old chemistry between them flares up anew—but circumstances conspire to keep them apart.

Movie details

Same Time, Next Christmas

“Say aloha to the one you love.”

2019 Romance · TV Movie 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Olivia Anderson is a successful young woman who met her childhood sweetheart during her family’s annual Christmas visit to Hawaii. After being separated by distance and years, the two reunite at the same Hawaiian resort years later, and the old chemistry between them flares up anew—but circumstances conspire to keep them apart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Same Time, Next Christmas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stephen Herek

Written by

Karen Bloch Morse

Lea Michele

Lea Michele

Olivia Anderson

Bryan Greenberg

Bryan Greenberg

Gregg Harris

Charles Michael Davis

Charles Michael Davis

Jeff Williams

Candace Smith

Candace Smith

Heidi Williams

George Newbern

George Newbern

Woody Anderson

Nia Vardalos

Nia Vardalos

Faye Anderson

Phil Morris

Phil Morris

Alec Williams

Court is in session

Put Same Time, Next Christmas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.