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The Left Hand of God

The Left Hand of God

Drama · Adventure · 1955

A man in priestly robes, seemingly the long-awaited Father O'Shea, arrives at a little-frequented Catholic mission in 1947 China. Though the man seems curiously uncomfortable with his priestly duties, his tough tactics prove very successful in the Seven Villages, as around them China disintegrates in civil war and revolution. But he has a secret, and his friendship with mission nurse Anne (an attractive war widow) seems to be taking on an unpriestly tone.

Movie details

The Left Hand of God

“THE STRANGEST COVENANT BETWEEN GOD AND MAN EVER MADE!”

1955 Drama · Adventure 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A man in priestly robes, seemingly the long-awaited Father O'Shea, arrives at a little-frequented Catholic mission in 1947 China. Though the man seems curiously uncomfortable with his priestly duties, his tough tactics prove very successful in the Seven Villages, as around them China disintegrates in civil war and revolution. But he has a secret, and his friendship with mission nurse Anne (an attractive war widow) seems to be taking on an unpriestly tone.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Left Hand of God?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Edward Dmytryk

Written by

Alfred Hayes

Humphrey Bogart

Humphrey Bogart

James 'Jim' Carmody

Gene Tierney

Gene Tierney

Anne 'Scotty' Scott

Lee J. Cobb

Lee J. Cobb

Mieh Yang

Agnes Moorehead

Agnes Moorehead

Beryl Sigman

E.G. Marshall

E.G. Marshall

Dr. David Sigman

Jean Porter

Jean Porter

Mary Yin

Carl Benton Reid

Carl Benton Reid

Father Cornelius

Court is in session

Put The Left Hand of God on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.