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Superman II: The Richard Donner Cut

Superman II: The Richard Donner Cut

Science Fiction · Action · Adventure · 2006

Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.

Movie details

Superman II: The Richard Donner Cut

“The version you have never seen.”

2006 Science Fiction · Action · Adventure 1h 56m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Superman II: The Richard Donner Cut?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Donner

Written by

David Newman · Leslie Newman · Mario Puzo

Christopher Reeve

Christopher Reeve

Clark Kent / Superman

Margot Kidder

Margot Kidder

Lois Lane

Gene Hackman

Gene Hackman

Lex Luthor

Marlon Brando

Marlon Brando

Jor-El

Ned Beatty

Ned Beatty

Otis

Jackie Cooper

Jackie Cooper

Perry White

Sarah Douglas

Sarah Douglas

Ursa

Court is in session

Put Superman II: The Richard Donner Cut on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.