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A Fish Called Wanda

A Fish Called Wanda

Comedy · Crime · 1988

While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.

Movie details

A Fish Called Wanda

“A tale of murder, lust, greed, revenge, and seafood.”

1988 Comedy · Crime 1h 49m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Fish Called Wanda?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Married to the Mob

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Angela de Marco is fed up with her gangster husband's line of work and wants no part of the crime world. When her husband is killed for having an affair with the mistress of mob boss Tony "The Tiger" Russo, Angela and her son depart for New York City to make a fresh start. Unfortunately, Tony has set his sights upon Angela -- and so has an undercover FBI agent looking to use her to bust Tony.

Where it lives

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Names above the title

The people responsible.

Directed by

Charles Crichton

Written by

John Cleese · Charles Crichton

Jamie Lee Curtis

Jamie Lee Curtis

Wanda Gershwitz

John Cleese

John Cleese

Archie Leach

Kevin Kline

Kevin Kline

Otto

Michael Palin

Michael Palin

Ken Pile

Maria Aitken

Maria Aitken

Wendy

Tom Georgeson

Tom Georgeson

Georges Thomason

Cynthia Cleese

Cynthia Cleese

Portia

Court is in session

Put A Fish Called Wanda on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.