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Simon's Got a Gift

Simon's Got a Gift

Fantasy · Romance · Family · 2020

Simon, a young orphan, has an extraordinary power : he can take on the appearance of people he’s already touched. When his best friend dies in an accident, there is no witness. Simon decides to steal his place in his family. Ten years later, the truth will get more and more difficult to bear and to hide...

Movie details

Simon's Got a Gift

2020 Fantasy · Romance · Family 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Simon, a young orphan, has an extraordinary power : he can take on the appearance of people he’s already touched. When his best friend dies in an accident, there is no witness. Simon decides to steal his place in his family. Ten years later, the truth will get more and more difficult to bear and to hide...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Simon's Got a Gift?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Léo Karmann

Written by

Marie-Sophie Chambon · Léo Karmann · Sabrina B. Karine

Benjamin Voisin

Benjamin Voisin

Simon

Martin Karmann

Martin Karmann

Thomas Durant

Camille Claris

Camille Claris

Madeleine Durant

Nicolas Wanczycki

Nicolas Wanczycki

Jacques Durant

Julie-Anne Roth

Julie-Anne Roth

Agnès Durant

A

Albert Geffrier

Jeune Simon

S

Simon Susset

Jeune Thomas Durant

Court is in session

Put Simon's Got a Gift on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.