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Out of Africa

Out of Africa

History · Romance · Drama · 1985

Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.

Movie details

Out of Africa

“Based on a true story.”

1985 History · Romance · Drama 2h 41m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

91.8K votes

Rotten Tomatoes

62 %

Tomatometer

Metacritic

69 / 100

Metascore

TMDB

7.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Out of Africa?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Sydney Pollack

Written by

Kurt Luedtke

Robert Redford

Robert Redford

Denys George Finch Hatton

Meryl Streep

Meryl Streep

Karen Christence Dinesen Blixen

Klaus Maria Brandauer

Klaus Maria Brandauer

Baron Bror Blixen/Baron Hans Blixen

Michael Kitchen

Michael Kitchen

Berkeley Cole

Malick Bowens

Malick Bowens

Farah

Michael Gough

Michael Gough

Lord Delamere

Suzanna Hamilton

Suzanna Hamilton

Felicity

Court is in session

Put Out of Africa on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.