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Christmas Wishes & Mistletoe Kisses

Christmas Wishes & Mistletoe Kisses

Romance · TV Movie · 2019

Single mom Abbey takes a leap of faith to pursue her passion for interior design. When she gets hired to decorate the estate of local businessman Nick, Abbey must complete the job by Christmas Eve. With the holidays fast approaching, Abbey must figure out how to break down the wall between her and Nick, as this could be the opportunity that jump-starts her career.

Movie details

Christmas Wishes & Mistletoe Kisses

2019 Romance · TV Movie 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Single mom Abbey takes a leap of faith to pursue her passion for interior design. When she gets hired to decorate the estate of local businessman Nick, Abbey must complete the job by Christmas Eve. With the holidays fast approaching, Abbey must figure out how to break down the wall between her and Nick, as this could be the opportunity that jump-starts her career.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christmas Wishes & Mistletoe Kisses?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Christmas Made to Order

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Where it lives

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Names above the title

The people responsible.

Directed by

D.J. Viola

Written by

Liz Sczudlo

Jill Wagner

Jill Wagner

Abbey Fuller

Matthew Davis

Matthew Davis

Nick Sinclair

Wyatt Hunt

Wyatt Hunt

Max Fuller

Donna Mills

Donna Mills

Caroline Sinclair

Rachel Hendrix

Rachel Hendrix

Kate Newhall

Brandon Quinn

Brandon Quinn

Dr. Mike Acosta

Darby Hinton

Darby Hinton

Philip Fuller

Court is in session

Put Christmas Wishes & Mistletoe Kisses on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.