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All That We Destroy

All That We Destroy

Horror · Science Fiction · Thriller · 2019

A geneticist who fears that her son may be becoming a serial killer creates a group of clones in an attempt to cure him of his psychopathic tendencies by allowing him to relive the murder of his first victim.

Movie details

All That We Destroy

“A mother's love never dies.”

2019 Horror · Science Fiction · Thriller 1h 25m

Critical arithmetic

The consensus, allegedly.

IMDb

6.0 / 10

2.3K votes

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A geneticist who fears that her son may be becoming a serial killer creates a group of clones in an attempt to cure him of his psychopathic tendencies by allowing him to relive the murder of his first victim.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All That We Destroy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.

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Thir13en Ghosts

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Horror · 2001

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Chelsea Stardust

Written by

Jim Agnew · Sean Keller

Israel Broussard

Israel Broussard

Spencer Harris

Samantha Mathis

Samantha Mathis

Dr. Victoria Harris

Aurora Perrineau

Aurora Perrineau

Ashley Prime

Dora Madison

Dora Madison

Marissa Cornell

Shi Ne Nielson

Shi Ne Nielson

Taylor

Frank Whaley

Frank Whaley

Parker

D

Damien Bray

Tommy

Court is in session

Put All That We Destroy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.