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Mother

Mother

Drama · Thriller · 2019

Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.

Movie details

Mother

2019 Drama · Thriller 2h 8m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mother?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Beasts

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Three Days and a Life

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Remember

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Names above the title

The people responsible.

Directed by

Rodrigo Sorogoyen

Written by

Rodrigo Sorogoyen · Isabel Peña

Marta Nieto

Marta Nieto

Elena

J

Jules Porier

Jean

Àlex Brendemühl

Àlex Brendemühl

Joseba

Anne Consigny

Anne Consigny

Lea

Frédéric Pierrot

Frédéric Pierrot

Gregory

Guillaume Arnault

Guillaume Arnault

Benoit

Raúl Prieto

Raúl Prieto

Ramón

Court is in session

Put Mother on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.