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The Hours

The Hours

Drama · 2002

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Movie details

The Hours

“The time to hide is over. The time to regret is gone. The time to live is now.”

2002 Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Hours?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stephen Daldry

Written by

David Hare

Nicole Kidman

Nicole Kidman

Virginia Woolf

Julianne Moore

Julianne Moore

Laura Brown

Meryl Streep

Meryl Streep

Clarissa Vaughan

Stephen Dillane

Stephen Dillane

Leonard Woolf

J

Jack Rovello

Richie

Ed Harris

Ed Harris

Richard Brown

Miranda Richardson

Miranda Richardson

Vanessa Bell

Court is in session

Put The Hours on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.