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Woodstock: Three Days That Defined a Generation

Woodstock: Three Days That Defined a Generation

Music · Documentary · 2019

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

Movie details

Woodstock: Three Days That Defined a Generation

“Three Days that Defined a Generation”

2019 Music · Documentary 1h 46m

Critical arithmetic

The consensus, allegedly.

IMDb

7.6 / 10

2K votes

Rotten Tomatoes

86 %

Tomatometer

Metacritic

67 / 100

Metascore

TMDB

7.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Woodstock: Three Days That Defined a Generation?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Barak Goodman

Written by

Barak Goodman · Don Kleszy

Joan Baez

Joan Baez

Self

David Crosby

David Crosby

Self

W

Wavy Gravy

Self

Richie Havens

Richie Havens

Self

Stephen Stills

Stephen Stills

Self

B

Bonnie Beecher

Self (voice, as Jahanara Romney)

B

Bill Graham

Self

Court is in session

Put Woodstock: Three Days That Defined a Generation on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.