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Between Two Ferns: The Movie

Between Two Ferns: The Movie

Comedy · 2019

Galifianakis dreamed of becoming a star. But when Will Ferrell discovered his public access TV show, 'Between Two Ferns' and uploaded it to Funny or Die, Zach became a viral laughing stock. Now Zach and his crew are taking a road trip to complete a series of high-profile celebrity interviews and restore his reputation.

Movie details

Between Two Ferns: The Movie

“There's nowhere he won't go.”

2019 Comedy 1h 22m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Galifianakis dreamed of becoming a star. But when Will Ferrell discovered his public access TV show, 'Between Two Ferns' and uploaded it to Funny or Die, Zach became a viral laughing stock. Now Zach and his crew are taking a road trip to complete a series of high-profile celebrity interviews and restore his reputation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Between Two Ferns: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Scott Aukerman

Written by

Scott Aukerman · Zach Galifianakis

Zach Galifianakis

Zach Galifianakis

Zach Galifianakis

Lauren Lapkus

Lauren Lapkus

Carol

Ryan Gaul

Ryan Gaul

Cam

Jiavani

Jiavani

Boom Boom

Will Ferrell

Will Ferrell

Will Ferrell

Matthew McConaughey

Matthew McConaughey

Matthew McConaughey

David Letterman

David Letterman

David Letterman

Court is in session

Put Between Two Ferns: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.