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Broken Lullaby

Broken Lullaby

Drama · 1932

A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.

Movie details

Broken Lullaby

“Honor Thy Father...And Thy Mother BUT HOW ABOUT OUR ENEMY'S PARENTS? How About His Sweetheart, the Girl We Love?”

1932 Drama 1h 16m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Broken Lullaby?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ernst Lubitsch

Written by

Ernest Vajda · Samson Raphaelson

Lionel Barrymore

Lionel Barrymore

Dr. H. Holderlin

Phillips Holmes

Phillips Holmes

Paul Renard

Nancy Carroll

Nancy Carroll

Fraulein Elsa

Louise Carter

Louise Carter

Frau Holderlin

Lucien Littlefield

Lucien Littlefield

Herr Walter Schultz

Tom Douglas

Tom Douglas

Walter Holderlin

Zasu Pitts

Zasu Pitts

Anna, Holderlin's Maid

Court is in session

Put Broken Lullaby on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.