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Under the Stars of Paris

Under the Stars of Paris

Drama · Comedy · 2021

Christine’s life has not been easy lately. Her lonely routine is divided between free food banks distributions and wandering the streets. On a cold winter night she founds Suli, an 8-year-old Eritrean boy, sobbing in front of her shelter. Christine understands that he is lost and has been separated from his mother. Bounded by their marginal condition, they embark together on an emotional journey to find Suli’s mother in the underground world of Paris...

Movie details

Under the Stars of Paris

2021 Drama · Comedy 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Christine’s life has not been easy lately. Her lonely routine is divided between free food banks distributions and wandering the streets. On a cold winter night she founds Suli, an 8-year-old Eritrean boy, sobbing in front of her shelter. Christine understands that he is lost and has been separated from his mother. Bounded by their marginal condition, they embark together on an emotional journey to find Suli’s mother in the underground world of Paris...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Under the Stars of Paris?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claus Drexel

Written by

Claus Drexel · Olivier Brunhes

Catherine Frot

Catherine Frot

Christine

Mahamadou Yaffa

Mahamadou Yaffa

Suli

Dominique Frot

Dominique Frot

La prostituée

Jean-Henri Compère

Jean-Henri Compère

Patrick

R

Richna Louvet

Mama

Raphaël Thiéry

Raphaël Thiéry

Travailleur des quais

Baptiste Amann

Baptiste Amann

Jeune SDF

Court is in session

Put Under the Stars of Paris on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.