The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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All Is True
Drama · History · 2018
London, June 29th, 1613. The Globe Theater, ran by the famous playwright William Shakespeare, accidentally burns to ashes. Seriously affected, he stops writing and returns to his hometown, where his wife Anne and daughters Judith and Susanna get surprised to hear he intends to stay there definitively, after two decades working in the capital, neglecting his sincere affections for them.
Movie details
All Is True
“The final act of the world's greatest playwright”
2018 Drama · History 1h 41m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
London, June 29th, 1613. The Globe Theater, ran by the famous playwright William Shakespeare, accidentally burns to ashes. Seriously affected, he stops writing and returns to his hometown, where his wife Anne and daughters Judith and Susanna get surprised to hear he intends to stay there definitively, after two decades working in the capital, neglecting his sincere affections for them.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over All Is True?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
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Names above the title
The people responsible.
Cast & crew
Directed by
Kenneth Branagh
Written by
Ben Elton
Kenneth Branagh
William Shakespeare
Judi Dench
Anne Shakespeare
Ian McKellen
Earl of Southampton
Kathryn Wilder
Judith Shakespeare
Lydia Wilson
Susanna Hall
Hadley Fraser
John Hall
Jack Colgrave Hirst
Tom Quiney
Court is in session
Put All Is True on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.