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All Is True

All Is True

Drama · History · 2018

London, June 29th, 1613. The Globe Theater, ran by the famous playwright William Shakespeare, accidentally burns to ashes. Seriously affected, he stops writing and returns to his hometown, where his wife Anne and daughters Judith and Susanna get surprised to hear he intends to stay there definitively, after two decades working in the capital, neglecting his sincere affections for them.

Movie details

All Is True

“The final act of the world's greatest playwright”

2018 Drama · History 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

London, June 29th, 1613. The Globe Theater, ran by the famous playwright William Shakespeare, accidentally burns to ashes. Seriously affected, he stops writing and returns to his hometown, where his wife Anne and daughters Judith and Susanna get surprised to hear he intends to stay there definitively, after two decades working in the capital, neglecting his sincere affections for them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All Is True?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

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Names above the title

The people responsible.

Directed by

Kenneth Branagh

Written by

Ben Elton

Kenneth Branagh

Kenneth Branagh

William Shakespeare

Judi Dench

Judi Dench

Anne Shakespeare

Ian McKellen

Ian McKellen

Earl of Southampton

Kathryn Wilder

Kathryn Wilder

Judith Shakespeare

Lydia Wilson

Lydia Wilson

Susanna Hall

Hadley Fraser

Hadley Fraser

John Hall

Jack Colgrave Hirst

Jack Colgrave Hirst

Tom Quiney

Court is in session

Put All Is True on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.