“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

A Crime in Paradise
Comedy · 2001
In the 1980 French countryside, farmer Jojo and his ill-tempered wife Lulu hate each other, though their respective interests speak against divorce. The only thing that keeps the oppressed Jojo from murder is the threat of the guillotine...
A Crime in Paradise
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
In the 1980 French countryside, farmer Jojo and his ill-tempered wife Lulu hate each other, though their respective interests speak against divorce. The only thing that keeps the oppressed Jojo from murder is the threat of the guillotine...
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over A Crime in Paradise?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Jean Becker
Written by
Jean Becker · Sébastien Japrisot · Sacha Guitry
Put A Crime in Paradise on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






