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The French Dispatch of the Liberty, Kansas Evening Sun

The French Dispatch of the Liberty, Kansas Evening Sun

Drama · Comedy · 2021

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

Movie details

The French Dispatch of the Liberty, Kansas Evening Sun

2021 Drama · Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The French Dispatch of the Liberty, Kansas Evening Sun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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CQ

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A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

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Nocturnal Animals

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The Rum Diary

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Names above the title

The people responsible.

Directed by

Wes Anderson

Written by

Wes Anderson · Hugo Guinness · Jason Schwartzman · Roman Coppola

Benicio del Toro

Benicio del Toro

Moses Rosenthaler

Adrien Brody

Adrien Brody

Julian Cadazio

Tilda Swinton

Tilda Swinton

J.K.L. Berensen

Léa Seydoux

Léa Seydoux

Simone

Frances McDormand

Frances McDormand

Lucinda Krementz

Timothée Chalamet

Timothée Chalamet

Zeffirelli

Lyna Khoudri

Lyna Khoudri

Juliette

Court is in session

Put The French Dispatch of the Liberty, Kansas Evening Sun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.