The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Three
Horror · Mystery · 2002
An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.
Movie details
Three
“When two just ain't enough!”
2002 Horror · Mystery 2h 9m
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.1 / 10
4K votes
Rotten Tomatoes
85 %
Tomatometer
TMDB
6.0 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Three?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Peter Chan Ho-Sun · Nonzee Nimibutr · Kim Jee-woon
Written by
Teddy Chan Tak-Sam · Matt Chow Hoi-Kwong · Jojo Hui Yuet-Chun · Ek Iemchuen
Kim Hye-soo
Wife (segment "Memories")
Jung Bo-seok
Husband (segment "Memories")
Suwinit Panjamawat
Gaan (segment "The Wheel")
Leon Lai Ming
Yu Fai (segment "Going Home")
Eric Tsang Chi-Wai
Chan Kwok-wai (segment "Going Home")
John Shum Kin-Fun
Photographer (segment "Going Home")
Eugenia Yuan
Hai'er (segment "Going Home")
Court is in session
Put Three on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.