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The Swan Princess: Escape from Castle Mountain

The Swan Princess: Escape from Castle Mountain

Family · Fantasy · Animation · 1997

The first wedding anniversary of Princess Odette and Prince Derek is fraught with troubles brought on by Clavius, who plots to conquer the world.

Movie details

The Swan Princess: Escape from Castle Mountain

“It Will Take All Her Magic to Rescue Her Friends!”

1997 Family · Fantasy · Animation 1h 11m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

The first wedding anniversary of Princess Odette and Prince Derek is fraught with troubles brought on by Clavius, who plots to conquer the world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Swan Princess: Escape from Castle Mountain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Rich

Written by

Brian Nissen · Richard Rich

Michelle Nicastro

Michelle Nicastro

Princess Odette (voice)

Douglas Sills

Douglas Sills

Prince Derek (voice)

Steve Vinovich

Steve Vinovich

Puffin (voice)

J

Joseph Medrano

Lord Rogers (voice)

James Arrington

James Arrington

Chamberlain (voice)

R

Rosie Mann

Bridget (voice)

J

Jake Williamson

Sir Clavius (voice)

Court is in session

Put The Swan Princess: Escape from Castle Mountain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.