“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

DeadTectives
Comedy · Horror · 2019
A team of reality TV paranormal investigators go to Mexico's most haunted house in the pursuit of better ratings. However, when the true dark secrets of the mansion begin to reveal themselves, the hapless team quickly discover that this house is no hoax. With zero genuine ghost-hunting experience, they have to figure out how to stop the ghosts and escape the house with their lives.
DeadTectives
“Fake hunters. Real ghosts. Complete dicks.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
A team of reality TV paranormal investigators go to Mexico's most haunted house in the pursuit of better ratings. However, when the true dark secrets of the mansion begin to reveal themselves, the hapless team quickly discover that this house is no hoax. With zero genuine ghost-hunting experience, they have to figure out how to stop the ghosts and escape the house with their lives.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over DeadTectives?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Tony West
Written by
Tony West · David Clayton Rogers · Mark Riley · Cris Rice
Put DeadTectives on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.




