Back to trending
Constantine: City of Demons - The Movie

Constantine: City of Demons - The Movie

Fantasy · Animation · Horror · 2018

A decade after a tragic mistake, family man Chas Chandler and occult detective John Constantine set out to cure his daughter Trish from a mysterious supernatural coma.

Movie details

Constantine: City of Demons - The Movie

“To stop a devil, you must summon a bigger one.”

2018 Fantasy · Animation · Horror 1h 30m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

11.2K votes

TMDB

7.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A decade after a tragic mistake, family man Chas Chandler and occult detective John Constantine set out to cure his daughter Trish from a mysterious supernatural coma.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Constantine: City of Demons - The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Doug Murphy

Written by

J. M. DeMatteis

Matt Ryan

Matt Ryan

John Constantine / Constantine-Demons (voice)

Robin Atkin Downes

Robin Atkin Downes

Nergal (voice)

Laura Bailey

Laura Bailey

Trish / Asa the Healer (voice)

Rachel Kimsey

Rachel Kimsey

Angela (voice)

Jim Meskimen

Jim Meskimen

Beroul / Cheleb / Quedbas (voice)

Emily O'Brien

Emily O'Brien

Renee Chandler (voice)

Damian O'Hare

Damian O'Hare

Chas Chandler / Amainon / Decarabia (voice)

Court is in session

Put Constantine: City of Demons - The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.