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The Ages of Lulu

The Ages of Lulu

Drama · 1990

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

Movie details

The Ages of Lulu

“A scorching Spanish sexual awakening.”

1990 Drama 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Ages of Lulu?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bigas Luna

Written by

Almudena Grandes · Bigas Luna

Francesca Neri

Francesca Neri

Lulú

Óscar Ladoire

Óscar Ladoire

Pablo

María Barranco

María Barranco

Ely

Fernando Guillén Cuervo

Fernando Guillén Cuervo

Marcelo

Rosana Pastor

Rosana Pastor

Chelo

Javier Bardem

Javier Bardem

Jimmy

J

Juan Graell

Remy

Court is in session

Put The Ages of Lulu on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.