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The Calculus Affair

The Calculus Affair

Animation · Adventure · Science Fiction · 1991

Strange things are happening in the evening at the mansion. Glass things break without any apparent reason. The Professor, somewhat apathetic to the whole series of events, leaves the following day to attend a conference on nuclear physics in Geneva. Foreign powers get wind of the Professor's work and send their agents to investigate.

Movie details

The Calculus Affair

1991 Animation · Adventure · Science Fiction 57m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Strange things are happening in the evening at the mansion. Glass things break without any apparent reason. The Professor, somewhat apathetic to the whole series of events, leaves the following day to attend a conference on nuclear physics in Geneva. Foreign powers get wind of the Professor's work and send their agents to investigate.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Calculus Affair?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stéphane Bernasconi

Written by

Christophe Poujol

Thierry Wermuth

Thierry Wermuth

Tintin (voice)

Christian Pelissier

Christian Pelissier

Haddock (voice)

Henri Labussière

Henri Labussière

Tournesol (voice)

Yves Barsacq

Yves Barsacq

Dupont (voice)

Jean-Pierre Moulin

Jean-Pierre Moulin

Dupond (voice)

Court is in session

Put The Calculus Affair on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.