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My Dog Stupid

My Dog Stupid

Comedy · 2019

Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.

Movie details

My Dog Stupid

“You Don't Choose Your Family, Or Your Dog.”

2019 Comedy 1h 46m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Dog Stupid?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Yvan Attal

Written by

Yaël Langmann · Dean Craig · Yvan Attal

Yvan Attal

Yvan Attal

Henri Mohen

Charlotte Gainsbourg

Charlotte Gainsbourg

Cécile Mohen

Eric Ruf

Eric Ruf

Professeur Mazard

Pascale Arbillot

Pascale Arbillot

Louise Breuvart

Ben Attal

Ben Attal

Raphaël Mohen

Adèle Wismes

Adèle Wismes

Pauline Mohen

P

Pablo Venzal

Noé Mohen

Court is in session

Put My Dog Stupid on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.