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The Smurfs and the Magic Flute

The Smurfs and the Magic Flute

Animation · Adventure · Fantasy · 1975

The evil knight Torchesac, who is at the service of the sinister lord of La Mortaille, gets a very powerful magic flute and uses it for evil purposes. Johan and Pirlouit, assisted by the magician Homnibus, travel to the land of the Smurfs, the only manufacturers of this sort of instrument, to get a new one and battle the usurpers.

Movie details

The Smurfs and the Magic Flute

“You're in for a 'SMURFING' GOOD TIME… with those little blue people you love!”

1975 Animation · Adventure · Fantasy 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The evil knight Torchesac, who is at the service of the sinister lord of La Mortaille, gets a very powerful magic flute and uses it for evil purposes. Johan and Pirlouit, assisted by the magician Homnibus, travel to the land of the Smurfs, the only manufacturers of this sort of instrument, to get a new one and battle the usurpers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Smurfs and the Magic Flute?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Eddie Lateste · Peyo

Written by

Yvan Delporte

William Coryn

William Coryn

Johan (voice)

Michel Modo

Michel Modo

Pirlouit (voice)

Jacques Dynam

Jacques Dynam

La Mortaille (voice)

Henri Crémieux

Henri Crémieux

Homnibus (voice)

Michel Elias

Michel Elias

Le Grand Schtroumf (voice)

Ginette Garcin

Ginette Garcin

Dame Barde (voice)

Henri Labussière

Henri Labussière

Fisherman (voice)

Court is in session

Put The Smurfs and the Magic Flute on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.