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Lemmy

Lemmy

Music · Documentary · 2010

Over four decades, Motorhead frontman Lemmy Kilmister has registered an immeasurable impact on music history. Nearly 65, he remains the living embodiment of the rock and roll lifestyle, and this feature-length documentary tells his story, one of a hard-living rock icon who continues to enjoy the life of a man half his age.

Movie details

Lemmy

“49% Motherf**ker, 51% Son of a Bitch”

2010 Music · Documentary 1h 56m

Critical arithmetic

The consensus, allegedly.

IMDb

7.8 / 10

8.7K votes

Rotten Tomatoes

83 %

Tomatometer

Metacritic

64 / 100

Metascore

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Over four decades, Motorhead frontman Lemmy Kilmister has registered an immeasurable impact on music history. Nearly 65, he remains the living embodiment of the rock and roll lifestyle, and this feature-length documentary tells his story, one of a hard-living rock icon who continues to enjoy the life of a man half his age.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lemmy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Wes Orshoski · Greg Olliver

Written by

Wes Orshoski · Greg Olliver

Lemmy Kilmister

Lemmy Kilmister

Self

Dave Brock

Dave Brock

Self

Phil Campbell

Phil Campbell

Self

'Fast' Eddie Clark

'Fast' Eddie Clark

Self

Jarvis Cocker

Jarvis Cocker

Self

Alice Cooper

Alice Cooper

Self

Mikkey Dee

Mikkey Dee

Self

Court is in session

Put Lemmy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.