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Killing

Killing

Drama · Action · 2018

In mid-19th century Edo period, a masterless rōnin named Mokunoshin Tsuzuki resides in a peaceful village among those he helps. However, as the prevalent peace and tranquility are sure to be replaced by war and conflict across the land, the swordsman feels restlessness creeping upon him.

Movie details

Killing

“Why must I kill?”

2018 Drama · Action 1h 20m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

In mid-19th century Edo period, a masterless rōnin named Mokunoshin Tsuzuki resides in a peaceful village among those he helps. However, as the prevalent peace and tranquility are sure to be replaced by war and conflict across the land, the swordsman feels restlessness creeping upon him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Killing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shinya Tsukamoto

Written by

Shinya Tsukamoto

Sosuke Ikematsu

Sosuke Ikematsu

Mokunoshin Tsuzuki

Yu Aoi

Yu Aoi

Yu

Tatsuya Nakamura

Tatsuya Nakamura

Sezaemon Genda

Ryusei Maeda

Ryusei Maeda

Ichisuke

Shinya Tsukamoto

Shinya Tsukamoto

Jirozaemon Sawamura

Kohji Katoh

Kohji Katoh

Masterless Samurai

S

Shûji Ôtsuki

Kahei

Court is in session

Put Killing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.