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Nothing Like a Dame

Nothing Like a Dame

Documentary · 2018

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

Movie details

Nothing Like a Dame

“You're invited.”

2018 Documentary 1h 20m

Critical arithmetic

The consensus, allegedly.

IMDb

7.4 / 10

3.3K votes

Rotten Tomatoes

98 %

Tomatometer

Metacritic

85 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nothing Like a Dame?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roger Michell

Maggie Smith

Maggie Smith

Self

Judi Dench

Judi Dench

Self

Eileen Atkins

Eileen Atkins

Self

Joan Plowright

Joan Plowright

Self

Robert Altman

Robert Altman

Self (archive footage)

Frank Finlay

Frank Finlay

Self (archive footage)

John Gielgud

John Gielgud

Self (archive footage)

Court is in session

Put Nothing Like a Dame on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.