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Howard

Howard

Documentary · Music · 2018

Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.

Movie details

Howard

“He gave a mermaid her voice and a beast his soul.”

2018 Documentary · Music 1h 33m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

1.5K votes

Rotten Tomatoes

93 %

Tomatometer

Metacritic

76 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Howard?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Don Hahn

Howard Ashman

Howard Ashman

Self / Various Character Scratch Singing (archive footage)

Alan Menken

Alan Menken

Self / Various Character Scratch Singing

B

Bill Lauch

Self

Don Hahn

Don Hahn

Self

S

Sarah Gillespie

Self

S

Shirley Ashman

Self

K

Kyle Renick

Self

Court is in session

Put Howard on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.